What an Aborted Cinematic Chiasmus Looks Like

After doing my massive Dark Knight Trilogy cinematic chiasmus, I took a step back and considered how incredible it was that those three films managed to be perfectly ordered to create something beautiful. And then I realized that after doing nine of these film analyses, I must be starting to strain credibility.

I mean, could I be looking for patterns where none exist? Or am I trying to force films to fit a mold that they really don’t fit? I don’t think so. Symmetrical films are quite rare. Even when a film seems to be symmetrical, just a couple of things can keep it from being perfect.

Spider-Man comes close to being a symmetrical film.Take the original Spider-Man film. I’ve noted that this film isn’t as well-structured as its superior sequel, but I tried looking at it with my Cinematic Chiasmus lens, and it came so close to making the cut. Here’s the chiasmus, so you can see for yourself. Continue reading →

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10 Directors Who Seamlessly Transitioned to Sci-Fi on Their First Try

Great directors are ones who thrive even when making films in genres they’re not particularly familiar with. Science fiction is a great one to test a director’s mettle because films in this genre could so easily be dismissed as mindless spectacle that they have to bring something special to the table to convince people otherwise.

Here are 10 directors who knocked it out of the park with their first sci-fi film. They may not have been able to sustain that success in follow-up sci-fi entries, but that just makes their first attempt shine even brighter. Continue reading →

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Pleasant Surprises: Scream 4

Why would I talk about a horror film like Scream 4 in January? Isn’t that more of an October thing? Well, it’s a new year with new rules.

I’m not a huge fan of the horror genre. I enjoy Alien, Halloween (1978), Psycho, and a few other horror films, but they are generally not my favorite kind of thing to watch. But I love the Scream films. The fact that they are brimming with intelligence and well-crafted suspense puts them in a different category from the usual “blood and guts” affairs.

I enjoyed the first two Scream films, but the third one let me down. That’s true of a lot of film series: Superman III, X-Men: The Last Stand, Spider-Man 3, etc. Anyway, Kevin Williamson, the writer of the first two Scream films, didn’t write Scream 3, which is definitely why it suffered from so many problems that the first two managed to avoid. Williamson returned to pen the fourth film in 2011, long after I had stopped thinking about the series. I finally gave Scream 4 a shot a few weeks ago, and I was shocked by how much I liked it. Continue reading →

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The Subtle Symmetry of the Entire Dark Knight Trilogy

My readers deserve a better class of article. And I’m gonna give it to ‘em.

You will never look at Christopher Nolan’s Dark Knight Trilogy the same. This one is a real doozy. Remember my Cinematic Chiasmus on the entire Back to the Future Trilogy? This makes that one look like child’s play.

I am going to show how meticulously crafted Batman Begins, The Dark Knight, and The Dark Knight Rises are that they perfectly mirror each other from beginning to end. I’ll discuss all of the points at which they intersect and then explain the significance of this chiasmus at the end. Continue reading →

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Cinematic Chiasmus: The Dark Knight Trilogy

This is not a typical Cinematic Chiasmus. I have written an ambitious article detailing how Batman Begins, The Dark Knight, and The Dark Knight Rises mirror each other quite breathtakingly. The only problem is that the article is so huge that I have had to delay publishing it for a couple of days instead on my usual Tuesday.

So to whet your appetite and let you know that I am not just slacking off but hard at work on this latest article, I present to you this chiasmus. I couldn’t include this in the main article because it would make it so huge as to be unwieldy. I will publish the main article tomorrow when my amazing wife and I finish putting together all of the images to go with it. This is going to be epic.

Continue reading →

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10 Great Westerns That Aren’t Set in the Old West

A movie doesn’t have to star John Wayne or take place in the Old West for it to be a western. There are plenty of movies that fall into the western category that are set in modern times or the future or even on different continents, but they still most definitely fit the pattern of classic western stories.

Let’s take a look at 10 amazing westerns that aren’t actually set in the Old West. Continue reading →

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Forgotten Film Gems: Guarding Tess

Guarding Tess is a combination of Driving Miss Daisy and In the Line of Fire. In fact, it came out right in the middle of a slew of films focused on the president and/or the Secret Service: 1993’s Dave and In the Line of Fire, 1995’s The American President, 1996’s First Kid, and 1997’s Absolute Power. During the Clinton Administration, people were just really intrigued by the presidency, I guess.

A lot of those films are quite good, and 1994’s Guarding Tess definitely falls into that category. Let’s talk about what works in this film and why it is definitely worth a look this Christmas. Continue reading →

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10 Villains Who Think They Are Heroes

Not every movie villain is interested in being evil. Some are misguided or wrongly believe that they are completely in the right. They see the supposed heroes of the story as hindrances to their righteous cause.

Let’s examine 10 bad guys who never think of themselves as “bad” guys, but as heroes: Continue reading →

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Something New to Admire About The Last Starfighter Besides Its Special Effects

I have to admit I was wrong about The Last Starfighter. In one of my first articles on this website, I mocked that film and said that it was a bad movie with good music. A few years later, I gave it another chance and I discovered something remarkable that has completely changed the way I think about it.

It is an example of Cinematic Chiasmus!

The first half almost perfectly mirrors the second half, creating a wonderfully symmetrical film experience. Let’s find out just how wrong I was to dismiss this film as just another special effects-driven film by crossing the frontier and showing how The Last Starfighter is a cinematic chiasmus.

The Chiasmus

As with all my other articles in this category, let’s begin by showing the chiasmus in all its glory:

A. The camera moves away from a planet called Rylos and goes to Earth

 B. Louis Rogan finds his older brother Alex playing the Starfighter arcade

  C. Alex’s mom calls to Alex while his girlfriend Maggie leaves him

   D. Alex looks up at the planet models hanging in his bedroom

    E. Trailer manager Otis tells Alex to follow his dreams

     F. Alex breaks the record on the Starfighter arcade

      G. Alex and Maggie proclaim their love for each other

       H. Alex gets rejected for a school loan and then meets Centauri and Beta

        I. Alex goes to Rylos with Centauri, and soon regrets it

         J. Louis and Maggie listen to Beta moaning under a blanket as he transforms into a double for Alex

          K. Alex sees several Gunstar spacecraft and gets briefed by Ambassador Enduran

           L. Xur scares Alex by showing a spy he caught and killed

            M. Centauri takes Alex back to Earth

             N. Xur kills almost all of the Starfighters after their hangar’s defensive guns are disabled

              O. Centauri lectures Alex and leaves him with a communicator if he changes his mind

              O. Beta tries to convince Alex to return, and Alex uses the communicator to call Centauri back

             N. An alien nearly kills Alex, and Centauri is seriously wounded defending him

            M. Centauri takes Alex back to Rylos

           L. With his “dying” breath, Centauri convinces Alex to stay and fight

          K. Alex enters a Gunstar as Grig briefs him on the controls (Note: K and J take place out of order)

         J. Louis is shocked to see Beta take off his head to fix a malfunction

        I. Alex goes to the Frontier with Grig, and soon regrets it

       H. As Beta serves his purpose by sacrificing himself for Alex, Alex finally accepts his role as a Starfighter

      G. Maggie looks up at the stars and says, “I love you, Alex Rogan”

     F. Alex destroys the Ko-Dan Armada and the Command Ship for real

    E. The ambassador and a revived Centauri convince Alex to stay on Rylos

   D. Alex’s friends and family look up as a Gunstar descends on their trailer park

  C. Grig calls to Alex while Maggie decides to go with him

 B. Louis starts playing the Starfighter arcade as Alex leaves on a Gunstar

A. Alex and Maggie leave Earth for Rylos

Now I’ll go into greater depth on each of these points: Continue reading →

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Forgotten Film Gems: Exodus (1960)

They don’t make ‘em like they used to. Old epics are usually better than new ones. Seriously, I’d rate Spartacus (1960) higher than Gladiator (2000), Tora! Tora! Tora! higher than Pearl Harbor, and The Ten Commandments (1956) higher than this year’s Noah or probably Exodus: Gods and Kings (based on the trailers I’ve seen for it).

Older films have a more laid-back approach to their storytelling. They don’t need an attention-grabbing opening scene, but they gradually take hold of the audience until we are deeply invested in the characters without knowing exactly when or how it happened. Modern films like Braveheart and Schindler’s List have an old-fashioned feel to them, which is part of the reason why I like them so much compared to other epic films.

And that brings us to the 1960 classic Exodus. This film is about the birth of the modern State of Israel in 1948. It was made back when Israel was still a serious underdog and when the Holocaust wasn’t an old part of history but a fresh memory burned into people’s minds like an open wound. This was before the Six-Day War and the Yom Kippur War, both of which put Israel’s very existence in jeopardy. This movie reflects the seriousness of the time it was made in.

Let’s explore some of the things that make this three-and-a-half-hour film worth watching today. Continue reading →

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