Tag Archives: batman forever

Wouldn’t It Make More Sense for the 2 Schumacher Batman Film Titles to Be Transposed?

Posted on November 10, 2020 by Robert Lockard, the Deja Reviewer

As we all know, the four Batman films that came out from 1989 to 1997 are called Batman, Batman Returns, Batman Forever, and Batman & Robin. Those first two Tim Burton titles are fine. Batman appears on the scene and … Continue reading →

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Movies That Force Heroes to Make an Impossible Choice

Posted on November 3, 2020 by Robert Lockard, the Deja Reviewer

Great movies force their protagonists to make hard choices that help us understand their true character traits and motivations. Sometimes those choices are extremely difficult, messy, and uncomfortable while others only have the appearance of being like that while they … Continue reading →

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It’s Your Turn to Be an MCU Villain, George Clooney

Posted on February 12, 2019 by Robert Lockard, the Deja Reviewer

So far, major actors from three of the four Batman films that ran from 1989 to 1997 have appeared in the Marvel Cinematic Universe. And their MCU roles have been the exact inverse of their original ones, villains playing heroes … Continue reading →

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Why Is Two-Face So Easy to Manipulate?

Posted on March 6, 2018 by Robert Lockard, the Deja Reviewer

Last week we dissected the Two-Face Meets the Riddler scene in Batman Forever, and this week we’re going to revisit that scene and add a little twist. Have you ever noticed that this scene mirrors the one in The Dark … Continue reading →

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The Dynamic Do-Over

Posted on February 7, 2017 by Robert Lockard, the Deja Reviewer

The LEGO Batman Movie looks to be a dynamic do-over for the Dynamic Duo. And thank goodness for that. I loved Christopher Nolan’s Dark Knight Trilogy, and I certainly don’t mind a dark interpretation of the World’s Greatest Detective. But … Continue reading →

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In Defense of Joel Schumacher’s Batman Movies

Posted on May 6, 2014 by Robert Lockard, the Deja Reviewer

No one can mistake Joel Schumacher’s two Batman films for masterpieces. Nor can they call me a Schumacher fan, especially after I lambasted his atrocious St. Elmo’s Fire, which he took sole credit for both writing and directing. But I … Continue reading →

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