Walt Disney’s first foray into full-length animated filmmaking in 1937 is an example of symmetrical storytelling. I’m excited to reveal the chiasmus found in Snow White and the Seven Dwarfs.
First, I should acknowledge the elephant in the room. Three Cinematic Chiasmus articles in a row, two of which are fairy tales? Absolutely! This one is the simplest of the three I’ve written in the past three weeks, way simpler than Ever After and just a little shorter than Forbidden Planet. It’s fitting for a story about cute little Dwarfs and a magic mirror to be nice and short as each side of the film reflects the other.
This would have been timelier a few months ago, but that’s all right. I just take these as they come to me. Let’s whistle while we work our way through the brilliant chiasmus of Snow White and the Seven Dwarfs. Continue reading


